Aufnahme:
Pro Tools HD System auf MAC PRO, 24 x analog In /Out (24Bit) - Lynx Aurora AD/DA Wandler, 1x Tascam DA-88, 2x Tascam DA 30.
analoges Mischpult :
Tascam M 5000 - 32 FA 80 Kanal Inline-Pult mit Automation
Digitaler Schnittplatz:
Pro Tools HD auf MAC PRO, Recorder Sony/Lacie, CD/DVD.
Software:
- Pro Tools HD Vers. 8 mit Plugins:
- diverse EQs (Sony Oxford, Mc DSP Filterbank, Bomb Factory, Tracks3 Linear Phase EQ, Flux Epure II EQ...)
- jede Menge Compressoren / Limiter (Bomb Factory, Massey, Jomeek
- professionelle Hall-simulationen (Hall Of Fame, Air-Reverb, Reverb One...)
- viele verschiedene Delay - und Modulations-plug Ins (Line 6 Echo Farm, Tap Delay, Pitch-Shifter, diverse Chorus/Flanger/Rotary-Speaker usw.)
- Gitarren und Bass-Amp Simulationen (Git-Rig, Amplitube, Ampeg Bass-Stack...)
- diverse Instruments (Battery III, Absynth, Piano, Kontakt, Massiv, Reaktor...)
- professionelle Mastering Software (Flux Alchemist, Epure II EQ, Pure Compressor, Pure Expander, Solera II, Bitter Sweet...)
Abhörer:
KRK 7000 B active, Yamaha NS 10, Tannoy System 2, Infinity Kappa 9.2 i.
Peripherie:
2x TL Audio Valve Pre-Amp + Comp. Classic Serie, 2x TL Audio Valve Pre-Amp./param. EQ. Classic Serie, Lexicon LXP5 / LXP1 (+ MRC Remote), H&K Tubeman Guitar Recording Station, H&K Metal-Master, H&K Crunch-Master, div Gitarrenboden-Effekte (Verzerrer, Chorus/Flanger etc.), Klark Technic Comp-Exp. Lim. DN 500, Alesis Dual 31-Band gr. EQ, T.C. Electronic Finalizer, Sans-Amp. PSA 1 progr. Gitarren-Preamp...
Klangerzeuger:
Kawai K5000R Analog-Synth., Alesis DM-5 Drum-Expander, D-Drm Drm-Expander, div. software-synth.
Mikrofone:
2x EV RE 20, 5x EV ND 408, 3x EV ND 308, 2x Shure SM 57, Shure SM 58, 4x Shure Beta 4.0 Kondensastor Mic., 2x AKG c 391B, Audio Technica 4050 CM5, EV ND 757.